Fantasie, arranged for Viola and Piano

Schubert's Fantasy in C major is one of his great late works and his last composition for piano and violin, highly demanding for both instruments. I am delighted to be able to make this wonderful work available to violists with this edition.
In the third movement, Schubert quotes his song «Sei mir gegrüsst» (D 741, 1821-22).
This edition follows the composer's autograph and current Urtext editions. Several notes in the viola part had to be adjusted in arpeggios for better play-ability. Due to the register change, I eliminated measure 474 and added double stops in measures 516-524, 554-561, and 570-578. I placed measures 380-385 in a different register in the repeat. The octaves in the violin part are indicated by angles. In the piano part, I placed the upper system one octave higher in measures 500-507, 516-524 (1st quarter), 553 (from 2nd quarter)-561, and 570-578 (1st quarter). Dotted slurs in the piano part refer to parallel passages; in the viola part, they are to be seen as suggestions for playing technique.
In his compositions, Schubert differentiated between decrescendo and diminuendo, the latter to be understood as a kind of calando; in this work, he uses it only twice: in measures 177 and 662.
My heartfelt thanks go to Rudolf Leopold for the idea for this arrangement and his invaluable assistance, and to Marta Rodriguéz Otero for typesetting the music.
My recording of the Fantasia can be found at https://youtu.be/zjd4kh1InPI?si=wpu3kQGSFCbZs_p8 Thomas Riebl

Duet